I just had to take a break....

.... from machine quilting and do something else for a bit.  I searched through all my old photos and found this photo I had snapped at the Portland Rose Garden a few years ago.  

Next step, draw up a pattern and enlarge it.

I loved the luminosity of original rose, but I didn't want to work with pastels.  I was in the mood for something brighter, and I chose some of my hand dyed fabrics from a couple of summers ago

I started cutting and pinning with a definite result in mind.

Feeling my way slowly and deviating quite a bit from the pattern, as usual, this wild rose took on a personality of her own and I let her dress herself with my assistance.

 Being a fan of high contrast, I think I will accessorize her with this blue background.  Hope she likes it.

Approximately 44" x 52" at this point

Now to let her hang around on the wall for a bit while I get back to machine quilting.

Once she decides that she likes her new style, I'll start piecing her together.

getting it together

After spending a delightful afternoon with Melody and some fellow Bad Ass Quilters, I am inspired once again.  And not to take away from the charms of these artists, but the sunshine and 72 degree temperatures helped as well. We were all reveling in the glorious weather.  

The quilt for nephew and bride, has come together at last.  So without further ado

to be quilted, soon, very soon

 After chatting with the kids about what they might like to have, I tuned in on a few of their key words:

greens

earth tones

neutrals

triangles

traditional
an original Mary quilt

SO

greens, earth tones, neutrals = my loose interpretation of colors

traditional = flying geese

 triangles + original = circles with loosely drawn geese

(my theory being, that no two geese are exactly alike)

= an original Mary quilt

This quilt was one of those that I felt my way blindly throughout the making, as I am not so good at discerning just what someone else's vision might be.  

Here's to hoping the kids will like it once it is quilted.  

Which is rumored to be soon, very soon.  

Cheers, y'all

a long winter's nap

First of all I want to say a very heartfelt thank you to those who have checked in with me the past few months that I haven't been blogging.  It is so appreciated and so nice to be remembered even though I haven't been "out there".  All is well, but sometimes life just throws up too many obstacles for one to always what one wants to do.    

 So tired of our exceptionally cold, dreary, wet winter, I just returned from a walk in the most welcome sun, some pre-March winds, and warm temperatures.  It was inspiring for me, to say the least.  After 5 months of not posting, and with the holidays past, it is time to shovel out of the rut.

One of my projects included a collaboration with my extremely talented daughter, Casey. Check out her Pinterest boards.  It was such a great experience to work with her on 3 pieces.  I can't share details or photos of these designs quite yet, but it is coming soon. 

Meanwhile here are a few photos of some of the experimenting and quilts I've been playing with before and after the collaboration.  All are unfinished, my normal way of playing.  

14" x 27"

64" x  78" for Chase & Andrea

Twin size for Evie
(remember those chenille bedspreads of the 1950?)

twin size for Silas

16" x 22"

Now to settle down and get some things finished, right?  

out of commission

It began with my photo of Dad's hayrake as it lay rusting behind the shed.  As always, these old things bring back a flood of memories.  Dad is no longer here to hook it up to the tractor and it has been out of commission for years.  The old farm implements intrigue me in their complicated simplicity.

All wheels keep turning in some respects,
 whether out of commission or not.  

A Glimmer

Where to begin.  My week at Arrowmont will forever live large in my mind.  Not only does this facility have a grand work space for fabric arts, but there are nice accomodations (read nice dorm rooms & bath) in a pristine setting.  Spending the days with fellow textile artists, a brilliant teacher, and meeting other like minded artisans was simply inspirational. I was so taken with the experience that I neglected to take many photos.  Elizabeth summed up the classroom experience very well, so I won't go on about the virtues of Arrowmont here.   If you are reading, please take the time to jump over to Elizabeth's blog  to read about and see all the good stuff.

the last day at Arrowmont

Not having an art education, I had hoped to learn a bit about abstract art, and learn I did.  I must say that Elizabeth Barton is among the best instructors I have ever had the pleasure of listening to and learning from.  When I left my home design wall for Arrowmont, I jokingly wondered if I might return to this design

and make it into something more abstract.  I decided that was a good idea, but first, this one is taking up too much room in my studio and I really want to finish it up before I hop on the abstracting bandwagon.   

Here are a couple more photos on my Arrowmont design wall.

value sketches 

this design in hand dyed fabrics is the value design from the top right sketch,
all pinned and ready to be sewn & quilted.
Oh and disregard that funky, goldish strip to the right - I couldn't delete it.  

More photos to come when blogger and my internet connection are more cooperative.

Off I go to begin reading the book that my postman just delivered.  "The History of Modern Art" by H. H. Aronson.  (I ordered two editions of it, among others, after discovering it in the library at Arrowmont)  I know it is an oldie, but I thought it was a goodie.  While browsing through the huge volume, I was thrilled to discover all sorts of grand surprises.  

Abstracted

I am headed off to the Smoky Mountains for a week at Arrowmont School of Arts and Crafts.  And more specifically, a week long workshop with one of my favorite textile artists, Elizabeth Barton.  Rumour has it that Elizabeth is one of the best teachers around. If you read her blog, you will see that she not only has a wicked sense of humor, but is a brilliant scholar and textile artist.  All in all, this should make for a most inspirational  week.  I don't get abstract art at all, but hope to come to a better understanding and be able to produce something decent during the week.
To top it off, I am going into this class less prepared that any of the other 3 workshops I have had.  I decided to approach this one from another angle. I am not going to practice her techniques, read volumes on abstract art, etc, etc, etc.  I am going to clear my mind of any preconceptions of abstract art, just chill and try to absorb all Ms. Barton has to offer.

Wish me luck as I leave my latest representational project on my design wall.

Hmmm, reckon I'll return from this experience and abstract this?

Maybe the workshop will guide me in the right direction with my little hexie project.  I have altered the design yet again.  At least I made these changes before I sewed all those little buggers together.

Walking among the trees,

I always take note of a dead cedar tree.

Mostly grey and sad in appearance.

Decided to give it another life

A bit happier, not so gloomy.  

  

It was  more difficult than I imagined.

Revival is often difficult, I guess.

Everchanging

Back from my whirlwind trip to Italy, full of new ideas, sensory overload, unable to settle down and start something new (well, sorta). I committed, (yet again) to get some pieces finished.  So stick a fork in 'er, she's done!  44" x 68" of heavy quilting.  

This old gravel road is long gone.  

I had taken lots of photos before everything changed on the farm and chose to document some of my memories in fabric.  A sign of changing times, new roads to be traveled, out with the old, in with the new, 

you get my drift.  

So, since I am not able to totally commit to machine quilting for hours on end, I did play around with some more ideas on the side.  

A couple of months ago, I got waylaid by 3/4" hexies.  Hundreds of hexies later, and several design idea changes, I am hand piecing (gasp) in a semi improv fashion.  I think I will call it "secret garden".

currently approximately 33" x 30ish and growing.

And then, there's the boxes of solids strips still hanging around from the Nancy Crow workshop last year.  Cannot seem to get them out of my system.  As if I don't use them, it will be a total waste.  Time to change that thought, doncha think?  Oh well, I did have a flashback idea as I was digging through those boxes waiting for something brilliant to happen.  The sights of Venice, Pisa, Sienna, Florence, Rome worked it's way into this.

the colors are not showing up correctly on my computer ,
(read terribly off),  so

I thought it might be a good idea to change it to gray tones to see how
 the design and values are working.
yet to be determined.

The ideas are still flowing.  Maybe I can stick to one of these for a finish before I begin another.  hahahahahahahaha

Can you guess where I have been?

A few random photos 

love this flying geese maze

Inspiration everywhere